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Sound synthesis for music reproduction and performance / Marek Pluta. - Krakow : AGH University of Science and Technology Press, 2019. - 450, [1] strona : ilustracje, fotografie, wykresy ; 24 cm.

(Dissertations, Monographs = Rozprawy, Monografie, ISSN 0867-6631 ; 350)

Autor

Pluta Marek (nauki techniczne).

Forma i typ

Książki Publikacje naukowe

Temat

Dźwięk. Muzyka. Konwersja danych. Synteza dźwięku

Gatunek

Monografia

Dziedzina i ujęcie

Fizyka i astronomia Inżynieria i technika

Bibliografia na stronach 399-[443]. Indeks.

Definition of Sound Synthesis Taxonomy of Synthesis Methods The Purpose and Scope of the Monograph. Direct Methods Spectral Methods Modular View on Elements of a Synthesizer Voltage Controlled Oscillator Voltage Controlled Amplifier Voltage Controlled F i l t e r Low Frequency Oscillator Envelope Generator Additive Synthesis Evolution of Spectrum Control Data Resynthesis Control of Pitch, Duration, and Timbre Variants of Additive Syn th e s is Implementation Remarks Subtractive Synthesis Source-Modifier Principle Synthesizer Designs Resynthesis Control of Pitch, Duration, and Timbre Descendants of Subtractive Synthesis Waveform-Based Methods Wavetable Synthesis Single-Cycle and Multi-Cycle Wavetable Signal Modification and Evolution Resynthesis Control of Pitch, Duration, and Timbre Multiple Wavetable Synthesis Wave Terrain Synthesis Progress of Wavetable Sampling Digital Sampling Synthesis Principle Control of Pitch Control of T im b r e Control of D u ra t ion Application of Envelopes and Fi lters Granular Synthesis Grains Time-Frequency Plane Matrices and S c r e e n s Pitch-Synchronous Granular Synthesis Synchronous and Quasi-Synchronous Granular Synthesis Asynchronous Granular S yn th e s is Physical and Algorithmic Models Granulation of Sampled Sounds Particle S yn th e s is Concatenative Synthesis Segmentation Analysis and D e s c r ip to r s Target D a ta b a se S e le c t io n Synthesis High Level Instrument Synthesis Real-Time Concatenative S yn th e s is Expressive Concatenative S yn th e s is Other Variants of Concatenative S yn th e s is Indirect Methods Abstract Methods Frequency Modulation Frequency and Pitch Modulation I n d e x Multiple Carriers and M o d u la to r s F e ed b a ck Operators and Algorithms Simulation of Instruments and Resynthesis Variants and Derivatives of FM Synthesis Waveshaping Shaping fu n c t io n s Amplitude Control Variants of W av esh a pin g Non-Standard M e th o d s Waveform Segment Graphics Synthesis Motion-Driven Synthesis Noise Modulation Stochastic Waveform Synthesis Cellular Automata Synthesis Waveset Distortion Sequential Waveform Composition Neural Audio Synthesis Physical Modelling Methods Finite Difference Approximation Temporal Operators Spatial Ope ra to rs Input and Output Operators Simplified Ideal String Damped Stiff String String Excitation String Model Refinements B a r Acoustic T u b e Reed Excitation Mechanism Toneholes in Acoustic T u b e Other Wind Instruments Membrane P l a t e Networks of Lumped Elements Lumped Elements Operation Modal Synthesis Model Data Synthesis Process O u tp u t Karplus-Strong Synthesis Basic Control Plucked Strings and Drums Decay Stretching Waveguide Synthesis Digital Waveguide Dispersion, Damping, and Other Effects Scattering J u n c t ion Examples of Waveguide Configurations Applications Other Physical Modelling Methods Phrase Assembling Synthesis: a New Approach to Music Reproduction Sound Synthesis in Music R ep r od u c t ion Shortcomings of Sample-Based M e th o d s Issues of Concatenative Method The Concept Motivation Key I d e a s Method Outline Phrase Signal Processing of S am p le s Musical Expression The D e s ig n Input and Output Samples and Descriptions The Principle of O p e ra t io n The C o r p u s Instruments S t ru c tu r e U n i t s Multisampling Recordings Analysis and Preparation of Samples Applied Techniques Musical Score Analysis Score Segmentation A lg o r ithm Phrase Matching Algorithm Sound Samples Processing Conca tenation Control of D u ra t ion Tempo and R h y thm Performance R u le s Phrase Envelopes Dynamics E n v e lo p e Tempo E n velop e Implementation Overall Program D e s ig n Modu les Score Analysis Module Figure Matching M o d u l e Waveform Generator M o d u le Management Module . Program Parameters Adjustments Listening Tests - Phase I Listening Tests - Phase I I Evaluation Concluding Remarks Issues and Necessary Improvements Further Development Infeasible Instruments: a Novel Means for Music Performance Synthesis Methods for Music Performance Control and Timbre Capabilities Infeasible Quasi-Physical Systems as Musical Instruments Concept of Infeasible Instruments Design O u t l in e Real-Time FD Simulations Using G P U s GPU Programming Framework i OpenCL Standard Heterogeneous Computing OpenCL Framework Contents Single S t r in g The M o d e l Finite Difference S ch em e Implementation Considerations Program D e s ign User-Controllable Instrument Parameters Host P r o g ram Kernel Multiple Strings Implementation Considerations Changes in Program Design Control Considerations Host P r o g ram Kernel Real-Time Control Control Procedure Design Controller Program Implementation Handling Control E v e n t s Hyper-Dimensional O b je c t s Hyper-Membrane Basic M o d e l Excitation Finite Difference Scheme Stability Model Implementation Implementation Considerations User-Controllable Instrument Parameters Example S ig n a ls Brief Evaluation Other Instruments Impossible Boundaries Looped Boundaries Bi-Directional L o o p One-Dimensional Loop Twisted L o o p Implementation D e t a i l s Selected E x am p le s Rectangle Square Rectangular C u b o id Further Study Evolving Instruments Evolution P a ram e te r s Means of C on t ro l Implementation Consideration Selected E x am p le s Evolving Material Parameter Evolving Shape Floating Readout Further Study Concluding Remarks

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